环形狩猎 Hunting Cycle @MadeIn Park

展览海报(16:9)RGB

艺术家:陈冷、李汉威、陆平原

策展人:陈嘉莹

展期:2018月10月21日–12月31日

“环形狩猎”呈现了三位年轻艺术家的作品:陈冷的巨幅图像如天降业障般矗立在野外、李汉威汲取自身文化记忆而虚构的重武公司与陆平原因当地创作的故事;将通过不同的路径诠释当下的人文境况,并借由没顶公园特殊的地理环境织造一个跳脱城市喧嚣的局外境况。

狩猎,隐射的是一种捕猎状态,猎者可以是消费者、创作者或是任何一个等待猎物出现的角色,而在这个展览中猎物成为了工业产出、传统文化、想象力,甚至艺术家自身。猎者捕获猎物的过程,同时也被假象中的“牺牲者”控制着。这样的双向关系或许源于技术/工具的反身性。展览将通过影像、文本、装置与这样的周遭环境,呈现一个复杂丰富的狩猎关系。

Artists: Chen Leng, Li Hanwei, Lu Pingyuan

Curator: Chen Jiaying

Exhibition period: 2018.10.21-12.31

“Hunting Cycle” presents the works of three young artists: the huge image by Chen Leng stands in the wild as if an evil creature falling from the sky, the fictitious Heavy Weapons Company by Li Hanwei base on the artist’s own cultural memories and the story Lu Pingyuan inspired by the local environment. These different paths interpret the current humanistic contexts and create an outsider circumstance jumping out of the bustle of the city through MadeIn Park’s unique geographical environment.

Hunting refers to a state of “catch and hunt”. The hunter can be a consumer, a creator or any character waiting for the prey to appear. In this exhibition, the prey becomes industrial output, traditional culture, imagination, and even artists themselves. The process by which the hunter captures the prey is also controlled by the imaginary “prey”. Such a two-way relationship may stem from the reflexivity of technology/tools. The exhibition will present a complex and rich hunting relationship through images, texts, installations and such a surrounding environment.

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